Education
Ph.D., Doctor of Philosophy, Multicultural Women’s and Gender Studies, Texas Woman’s University, Denton, TX 2013- January 2024.
· Dissertation Title: A Battleground of Scars: Media Reports on Acid Violence Against Women in India. Committee Chair: Dr. Agatha Beins
· Research Assistant to Dr. Claire Sahlin
· Teaching Assistant to Dr. Danielle Phillips- Cunningham, Dr. Linda Marshall, and Dr. Claire Sahlin
· Graduate Teaching Assistant: Gender and Social Change: Introduction to Women’s and Gender Studies
Master of Fine Arts, Visual Art and New Media, San Francisco Art Institute, San Francisco, CA 2010-2012
· Thesis: Crimson Perennial Annal: Global Menstrual Taboos
· Advising Committee: Prof. Dewey Crumpler, Prof. Allan deSouza, Prof. Meredith Tromble, and Prof. Jeremy Morgan
· Honors Student
· Runner-up Class Valedictorian Speaker
· Teaching Assistant to Dr. Laura Fantone, Prof. Dewey Crumpler, and Dr. Susan Greene
Post-baccalaureate Certificate, Visual Art, San Francisco Art Institute, San Francisco, CA 2009-2010
· Honors Student
Bachelor of Fine Arts, Visual Art, The Savannah College of Art and Design, Savannah, GA 1999-2003
· Honors Student
· Major in Painting & Art Theory
· Minors in Sculpture and Drawing
Publications
· Co-Author, Govindnathan, Pallavi. “Knowledge and Global Inequalities.” Authors: Dev Nathan and Govind Kelkar, Journal of Gender, Technology, and Development, Taylor and Francis, Bangkok, Thailand. Published October 2022.
· Govindnathan, Pallavi. “The Construction of Patriarchal Attitudes Through the Use of Violence: The Influence of Ancient Indian History in Establishing Contemporary Messaging on Acid Violence.” Monograph. Centurion University of Technology and Management. Odisha, India. Published May 2022.
· Kelkar, Govind and Govindnathan, Pallavi. “Social Norms and Attitudes Towards Women’s Entitlement to Land.” Impeding Structures of Gender Equality, Oxford University Press, 2022.
· Govindnathan, Pallavi. Women and Their Work, Women and Their Work Gallery Catalogue, 24 July 2021.
· Kelkar, Govind and Govindnathan, Pallavi. “Social Norms and Attitudes Towards Women’s Entitlement to Land.” Council for Social Development (CSD), New Delhi, India. 2020.
· Govindnathan, Pallavi. Re/Devaluing Colorism: The Intersections of Skin Color and Currency by The Southwest School of Art. 10 January 2020. Southwest School of Art Catalogue.
· Villavaso, Morgan. “Graduate Student Combines Art with Activism.” The Lasso. Texas Woman’s University, 20 October 2016. TWU Newspaper. Online.
· Govindnathan, Pallavi. “Menstrual Diaries: The Language of Patriarchy.” San Francisco Art Institute: MFA/MA Art and Ideas. Ed. Zeina Barakeh, Vera Kachouh and Anne Shulock. San Francisco: San Francisco Art Institute, 2012. 47. Print.
· Govindnathan, Pallavi. “Historical Inequality.” Man As Object: Reversing the Gaze. Ed. Tanya Augsburg and Karen Gutfreund. San Francisco: Women’s Caucus for Art, 2011. 94. Print.
· Govindnathan, Pallavi. “Acid Violence Against Women in Bangladesh.” Public
Culture: Society for Transnational Cultural Studies 22.1 (2010): 7- 15. Print.
· Paidipaty, Poornima. “Reconstructing Corrosion: A Conversation with Pallavi
Govindnathan.” Public Culture: Society for Transnational Cultural Studies 22.1
(2010): 17- 23. Print.
· Govindnathan, Pallavi. Corrode: An Artist’s Response to Acid Violence in
South Asia. New Delhi: Roli Books, 2010. Print.
Recent Research and Employment
Faculty of Social Justice, Southern New Hampshire University, Manchester, New Hampshire. 2024.
Graduate Teaching Instructor of Gender and Social Change, Texas Woman’s University, Denton, Texas. 2013- 2020.
· Researcher and Art Consultant, Gender and Development Center for Research and Innovation (GenDev), Gurgaon, India, 2019- Present.
· Community Client Relations Manager, Valdez Financial Group LLC, Tucson, Arizona, 2020- 2021. (Business closure due to Covid-19).
· Community Engagement Manager, COMMON Workplace, Tucson, Arizona, 2019- 2020. (Business closure due to Covid-19).
· Graduate Teaching Instructor, Department of Multicultural Women’s and Gender Studies, Denton, Texas, 2013- 2020.
Art Residencies
· Feminist Art Conference (FAC) Residency, Artscape Gibraltar Point, Toronto Islands, Canada. 2016.
· Sanskriti Kala Kendra, Sanskriti Foundation, Anandagram, New Delhi, India. 2006.
· Visiting Artist. Shilpigram Indigenous Artists’ Center Residency. Bastar, Maharashtra, India. 1995-1999.
Awards, Distinctions and Fellowships
· ABD Distinction. Multicultural Women’s and Gender Studies, Texas Woman’s University, Denton, TX., June 2021.
· Faculty Advisor and Mentor. Circle K International: Texas Woman’s University. Affiliated with Kiwanis International (Student Development and Community Volunteering Program). Denton, TX. Spring 2016- Spring 2018.
· Southeastern Women’s Studies Association (SEWSA) 2015 Student Travel Grant Award. Center for Women, Gender, and Sexuality Studies at Florida Atlantic University. Boca Raton, FL. March 2015.
· TWU Graduate Student Scholarship. Texas Woman’s University Denton, TX. 2013-2016.
· Graduate Valedictorian Speaker Nominee Award. San Francisco Art Institute, San Francisco, CA, USA. 2012
· MFA Fellowship Award. San Francisco Art Institute, San Francisco, CA. USA. 2010- 2012.
· Kearny Street Workshop (KSW) Asian-American Artist on the Year Award, San Francisco, CA, USA. Summer 2010.
· Sanskriti Kala Kendra Residency. New Delhi, India. 2004.
· Dean’s List Award. The Savannah College of Art and Design, Savannah, GA, USA. Summer 2002.
· Dean’s List Award. The Savannah College of Art and Design, Savannah, GA, USA. Fall 2002.
· Student Artist Development. Shilpigram Indigenous Artists’ Center Residency. Bastar, Maharashtra, India. 1995- 1999.
· Emerging Artists of Thailand Award. National Cultural Commission of Thailand. Bangkok, Thailand. 1999.
Lectures on Art, Art History, Gender Studies, and Other Interdisciplinary Fields:
· Guest Speaker. “A Battleground of Scars: Analyzing Acid Violence Against Women in India Through New Media.” Doctoral Colloquium. Coordinator: Dr. Smita Mishra Panda. Centurion University. 21 January 2022.
· Conference Panel Attendant. “Efforts to End Witch Hunts in Ghana and Indian.” Zoom Discussion. GenDev Center for Research and Innovation, New Delhi, October 2021.
· Conference Attendance. The Sustainable Energy for All Forum. New York. April 2017.
· “Theorizing the What If: Speculative Fiction in Art and WGS. National Women’s Studies Association, November 2016.
· Creative Pedagogy: Utilizing Arts Based Research in Critical Thinking Pedagogy. National Women’s Studies Association. November 2016.
· Guest Speaker. Reinventing Intersectional Art and Activism with Gender Studies: Generation New Approaches to Social Awareness and Mindfulness. Dr. Lauren Cross, University of North Texas, Denton, TX. 2015.
· New Knowledge in Transdisciplinary Dissertation Research in WGS: Moving from Institutionalization to Lived Practices. National Women’s Studies Association. November 2015.
· Challenging the Representation of the Devine-Whore in Bollywood Cinema Through the Emergence of Indian Indie-Cinema. Spring 2015. Center for Women, Gender, and Sexuality Studies. SEWSA conference. March 2015.
· Art, Activism, and Social Change: Tree Speech Art. Spring 2015. Guest Lecturer for Gender and Social Change classroom- Instructor Carla Wilson. Texas Woman’s University. Denton, Texas, April 2015.
· Transgressing Gender Based Violence Through Art and Activism. Fall 2014. Panel Presenter at NWSA 2014. San Juan, Puerto Rico. November 2014.
· Art, Activism, and Social Change: Activist Billboard Project. Fall 2014. Guest Lecturer for Gender and Social Change classroom- Instructor Sara-Ishii Downing. Texas Woman’s University. Denton, Texas, October 2014.
· Art, Activism, and Social Change: Clothesline Project. Fall 2014. Guest Lecturer for Gender and Social Change classroom- Instructor Sam Schmitt. Texas Woman’s University. Denton, Texas, October 2014.
· Women and Labor. Summer 2014. Guest Lecturer for Gender and Social Change classroom- Instructor Sam Schmitt. Texas Woman’s University. Denton, Texas, July 2014.
· Art and Activism: Rock Art as Public Awareness. Summer 2014. Guest Lecturer for Gender and Social Change classroom- Instructor Sam Schmitt. Texas Woman’s University. Denton, Texas, July 2014.
· Material Bodies Challenging Morality in Art. 2014 Student Creative Arts and Research Symposium, Denton, Texas, April 8, 2014.
· Creativity as Transgression of Gendered Boundaries in Women’s Studies. 2014 Student Creative Arts and Research Symposium, Denton, TX, April 9, 2014.
· Musical History of Devious Heroines in Bollywood Cinema- Guest Presentation. History of Jazz and Critical Studies. San Francisco Art Institute, San Francisco, CA, November 2012.
· Reversing the Gaze: Man, As Object by Women’s Caucus for Art- Guest Presentation. Veiling, Revealing, and Creative Practice. SOMArts Cultural Center, San Francisco, CA, November 2011.
· Transcultural Circumstances Group Lecture. Diego Rivera Gallery. San Francisco, CA, August 2011.
· Hinduism Striptease: Religion and Cultural Misrepresentations. Kearny Street Workshop: Asian Artists Collective. San Francisco, CA, May 2010.
Independent Research and Field Study
· Parental Alienation Epidemic in the United Kingdom Among Working Class Families, early 2022- Present.
· Media Research on Acid Violence Against Women and Girls in India, 2020- Present.
· Researcher and Artist for GenDev Center for Research and Innovation, 2020- Present.
· Independent Researcher and Photographic Documentation. Women and Empowerment Through Land Ownership in Rural India. 2013.
· Independent Researcher and Photographic Documentation. The Pink Sari Gangs of India. 2013.
· Independent Researcher. Educational Awareness Project: Acid Violence in South Asia. 2005- 2009.
Teaching Experience
(Teaching experience includes academic summer teaching programs and online classes).
· Fall 2013- 2020: Gender and Social Change: An Introduction to Multicultural Women’s and Gender Studies. Department of Multicultural Women’s and Gender Studies, Texas Woman’s University, Denton, TX.
· Summer 2016: U.S. Women of Colors (Online). Multicultural, Women’s and Gender Studies, Texas Woman’s University, Denton, TX.
· Summer 2015: Graduate Research Assistant for Dr. Claire Sahlin. Multicultural, Women’s and Gender Studies, Texas Woman’s University, Denton, TX.
· Summer 2015: Family Violence. Sociology and Multicultural, Women’s and Gender Studies, Texas Woman’s University, Denton, TX.
· Spring 2012: Veiling, Revealing and Creating Practice. Department of Art History and Critical Studies. San Francisco Art Institute. San Francisco, CA.
· Fall 2011: Painting Culture: Studio Art and Art Theory. Department of Painting. San Francisco Art Institute. San Francisco, CA.
· Spring 2011: Trauma, Resilience and Creative Practice. Department of Art History and Critical Studies. San Francisco Art Institute. San Francisco, CA.
Teaching Thematic Expertise
· Social Justice and Anti-violence Advocacy in India
· Caste and Casteism in South Asia
· Sociology of Development
· Transnational Feminist Theories and Epistemologies
· Women’s Health, Mental Health, and Acid Violence
· Women of Color Feminist Thought
· Imperial and Colonial Influences in Gender Violence in India
· The Feminine Goddess in Indo-Tantric and Kamasutra Art
· Female Transgressions in Honor-Based Societies
· Brahmanical Hindu Masculinities in Modern-Day India
· Implicit and Explicit Caste/Class-Based Gendered Violence in Media Rhetoric
· Violence Against Women and Transnational Dialogues
· Implicit Violence Against Women in Bollywood and South Asian Cinema
· Representations of Gender and Agency in Italian Renaissance and Baroque Art
· Representations of Violence in Baroque Art
· Cultural Dialogues in European Renaissance and Baroque Paintings
· Representation of Violence Against Women in Global Cinema
· Body as a Sex Object in International Films
· European New Wave Cinema and Women’s Identity (Russian Chernuka, French, and Italian)
· History of the Devious Heroine in Bollywood Cinema
· Feminist Performance Art as Transgression of Cultural Boundaries
· Representation of Women in American Film Noir
· Chernukha and Soviet- Russian Cinema- Focus on Sex Work and Poverty
· Hindu Mythology and Representation in Art and Culture
· Art and the Politics of Veiling in Muslim and Non-Muslim Nations
· Art, Activism, and Social Change
· Menstruation and Global Socio-Cultural Taboos and Restrictions
Selected Group Art Exhibitions
· We Know Who We Are. We Know What We Want. Curated by Vicki Meek, Women and Their Work Gallery, Austin, Texas, July- September 2021.
· The Right to Herself. Curated by Lauren Cross, Center for Fine Art Photography and the Lincoln Center Gallery, Fort Collins, Colorado. October- December 2020.
· Re/De Valuing Colorism: Intersections of Skin Color and Currency. Curated by Aissatou Sidme-Blanton. Southwest School of Art Russell Hill Rodgers Gallery, San Antonio, Texas. December 2019- April 2020.
· Feminist Art Conference Group Exhibition (FAC). Curated by Ilene Sova. Artscape Gibraltar Point, Toronto, Canada. May 2016.
· Art, Education and Girl Power. Women of Color Art Gallery (WOCA). Directed and crated by Lauren Cross. Fort Worth, Texas. March 2014.
· 10th Annual San Francisco Altered Barbie Exhibition. Work Series: The Barbie Revolution. Curated by Julie Anderson. San Francisco, California. 2012.
· Flying Fish. Work Series: The Barbie Revolution. Curated by Mido Lee and Hosted by Asian American Women Artist Association (AAWAA). San Francisco, California. 2012.
· Perennial Annal. MFA Graduate Thesis Exhibition. The Phoenix Hotel. San Francisco, California. 2012.
· Haraam. Third Strike: 100 Performances in the Hole. Performance collaboration with artist Nicole McClure. Curated by Justin Charles Hoover. SOMArts Cultural Center. San Francisco, California. 2011.
· Historical Inequality. Reversing the Gaze: Man, As Object. Curated by Priscilla Otani. Women’s Caucus for Art. SOMArts Cultural Center. San Francisco, California. 2011.
· Inspecting the Self (Selected work from series Menstrual Taboo). Keeping an Eye on Surveillance. Performance Art Institute. Curated by Hanna Regev. Class collaboration: Prof. Allan deSouza. San Francisco, California. 2011.
· Erasing My Culture. One Size Fits All. Kearny Street Workshop. San Francisco, California. 2011.
· Transcultural Circumstances. Expression of Art Through an Interwoven Culture. Asian-American Artists Group Collaboration. Curated by Orlando Lacro. The Diego Rivera Gallery, San Francisco Art Institute. San Francisco, California. 2011.
*A complete CV with a full list of group exhibitions can be provided for further review.
Solo Art Exhibitions
· Acerbic Drips. International Panel Lecture Series. Cornell Law School and AVON Global Center for Women and Justice. New Delhi- India and New York- United States. 2012.
· Spidey Meets Barbie: Breaking Gender Stereotypes Through Toys. Collaboration with artist Laura H. Kim. Swell Gallery. San Francisco, California. 2011.
· Hinduism Striptease. Kearny Street Workshop (Asian Pacific American multidisciplinary art organization). San Francisco, California. 2009- 2010.
Research and Professional Services
· 2019- Present: Artist and Cover Designer, GenDev Center for Research and Innovation (Gender and Development Research Institute), New Delhi, India.
· 2019- Present: Researcher and Writer, GenDev Center for Research and Innovation (Gender and Development Research Institute), New Delhi, India.
· 2016- 2017: Faculty Advisor and Mentor to Circle K International Group (CKI) at Texas Woman’s University.
· 2015-2016: Academic mentoring and advising for enrolling and former students.
· 2014- 2015: International Women’s Day Committee Head.
· 2013- 2014: Head of Creative Arts Events at Multicultural Women’s Studies Graduate Student Association (MWGSA)
· 2012 Runner-up Valedictorian Speaker at San Francisco Art Institute.
· 2005-2009: Designing catalogues, brochures, and book covers for UN Women, New Delhi, India.
· 2005- 2009: Creating and donating art for women’s conferences/ events for funding and discussion.